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( the bird in a gilded cage comparison feels familiar to sara, though in a different way. she'd always felt like an outsider, even if she kind of pushed herself even further away from that gilded cage that the rest of her family seemed to reside in by hanging out with delinquents and doing stuff that she shouldn't have. the first time that she felt that maybe, just maybe, she could be a part of something, was with oliver on his dad's fancy yacht.
that clearly didn't end well. but it did take her to lian yu, to nanda parbat, where ta-er al-sahfer was happy to be caged by the league.
the bards sound like they share a fair bit of traits with the assassins of the league, which is why sara doesn't so much as flinch at the vivid descriptions of deception and murder, of taking advantage of a situation even if it ends in bloodshed. from where leliana temporarily halts, though, the story is clearly unfinished. )
And did things with Marjolaine stop being what you thought they were?
( maybe she asks because that's how it had felt once she'd run away from the league to make sure her sister and dad were safe after the undertaking — the harsh realization of what she'd become, the weight of the darkness inside of her from all of the lives she'd taken. it wasn't worth what the league provided. )
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